Melbourne’s Living Museum of the West, Bluestone Building, Pipemakers Park, Maribyrnong, March 2018
Upstairs gallery: entrance installation Safe Passage, 14 black crowd control bollards.
Downstairs gallery: 30 concrete sculptures, variable dimensions, mixed media.
Photos by Matthew Stanton.
Bollard City examines the visual language of bollards and barriers, inviting viewers to reflect upon concepts of public safety, personal freedom and trust in the community. The exhibition explores how bollards have become the new icons of our time.
To enter and exit the gallery space one has to navigate through zigzagging passageway installation of 14 crowd control bollards.
Once released into a vast gallery space a large installation consisting of 30 concrete sculptures is revealed to you. These are replicas of anti-terror barriers originally installed at London Bridge, Martin Place in Sydney, Christmas Market in Berlin, Bourke Street in Melbourne and other places. Some are life-sized and others are enlarged.
Order or disorder, safety or danger, freedom or control, threat or fear, before or after, real or surreal, light or heavy, true or false, us or them – these are some of the questions posed.
ABC Afternoon Radio, Richelle Hunt interviews Nina Sanadze:
The Hub on Art podcast, “The Museum Next Conference, the Sydney Kabuki Project, arts news with Edwina Stott and Nina Sanadze’s Bollard City”:
SBS Russian interview: